While EBU R128 and ATSC A/85 are strict standards for Europe and Americas, the ITU-R BS.1770-3 specification is the superset on which those are based. This panel allows users to select different loudness models and presets. Thanks to Durin Gleaves, Adobe Product Manager for Audio for providing the following information, since I do not currently have a license for Adobe Creative Cloud.Īdobe Audition supports single or batch loudness correction in the Match Loudness panel. These options include exporting to an uncompressed WAV or a compressed MP3, among others. Although both Hindenburg Journalist Pro and some Adobe programs also offer measuring loudness and offers statistics about the source file, this article only covers the possibility of exporting or converting your master to -14 LUFS, although they also offer other options. The scope of this article is to cover apps and an online service that offer exporting and/or encoding at least to the new de facto online audio loudness of -14 LUFS, among other options. Here is a link to my March 2018 article called How many LUFS for ideal audio loudness? Why can’t we be friends? Scope of this article Ahead are details for each app and screenshots. In addition, I have discovered that iZotope RX6 (which I am evaluating for review) also now has a preset labeled Amazon & Spotify.
Auphonic already offered these two and more. Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe and Hindenburg have contacted me to inform how some of their apps now support -14 LUFS (for Amazon & Spotify, and subsequently, the new de facto online delivery standard) and -18 LUFS (for the BBC) in different ways, either via direct preset or indirect settings.
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